This time I’m looking at my new Logitech Harmony 700 Universal Remote.
My experiment of combining two great tastes, the Cornish Pasty and the Australian Meat Pie, into the hybrid Aussie Pasty.
Seriously, I’m just not blogging enough lately, so I’ve decided to experiment with vlogging instead. I’ve got the camera with me all the time, so why not?
Answer: This video right here. Wow, how tedious. Don’t bother watching, it’s terrible, but it gets the preface out of the way. The next one is much better.
I got nothing.
The current series of Primeval is so ordinary that I have neither strong positive or negative feelings towards it. They aren’t screwing things up badly like they did last season, neither are they making me interested like they did in the first season. I’ve watched through this episode 3 times and still I’ve got nothing, so I decided to try my Fusion Patrol approach. I watch the show, take notes, fill in some comments and hope I have something to say.
00:00 Five years ago a woman captures a bizarre baby anomaly animal and flushes it down the toilet. Yeah. I’m believing that. Looked too big to flush. Perhaps some kids would like to try some experimenting and report back to me on that one. What is the maximum size lizard you can flush. My guess is you’ll need to live in Australia or Indonesia to try that one.
00:04 Philip, “We’re poised on a new dawn” – hhhmmmmmmmm, New Dawn, that sounds fishy. What kind of scientific advancement is he hoping to get? Is it just an understanding of time, or is he perhaps trying to control time?
00:05 Danny Quinn still has a locker. They just keep reminding us about the missing Danny. Once again that seems to indicate Danny isn’t really gone yet.
00:06 Lot of old dumpy buildings in London, aren’t there? Actually, this looks like the same building they shot in during the second series.
00:07 Perky chick (what’s her name?) gives Conner the key to her apartment. Suspicious? Forward? Clueless? Not sure which. Isn’t she perky, though?
00:09 Rex is back. I hope he doesn’t feature in any more episodes. He’s such a technically stupid creature, that thing certainly couldn’t flap his wings and fly.
00:09 New guy (What’s his name?) is chatting with old guy (Is that an old Danny?) Clearly New Guy is spying for him.
00:10 We have our first fatality! Construction worker for dinner! It took 10 minutes for a fatality… this show is really slowing down.
00:11 Perky Girl’s apartment is nice. ARC must pay well well. At least she uses Macs.
00:14 Conner’s old friend, Duncan, has really moved up in the world, living rough and homeless and he has a collection of dinosaur poo! Nah, he’s not obsessing about the whole “best friend killed by dodo” thing at all.
00:20 Perky Girl has the hots for Becker!
00:21 “Are you (Abby) his (Connor’s) girlfriend?” “Wow, there’s hope for us all!” Best line in the entire series, although, I’m noticing that Abby is aging pretty fast, she’s never going to age well like Claudia Brown/Jenny Lewis. PLEASE bring Jenny back! At least we have Perky Girl.
00:24 It’s a Boar Croc (Kaprosuchus)
00:26 Abby has commandeered a boat. On what authority can she commandeer a boat? Do they carry ID?
00:27 Only the second killing. Not much of a body count. Ho hum
00:29 Becker to the rescue! Ever notice how the ARC has a team of crack military types, but none of them do anything except Becker?
00:30 Container breaks free with creature inside, falls 30+ feet… and the animal is still alive. Rubbish! Do we have to discuss the cube/square law?
00:32 I’m so glad the guys running this container port have stacked the containers in a convenient labyrinth pattern.
00:34 One utterly useless ARC soldier dead! Body count: 3
00:37 Conner has his job back! Was it ever in doubt? Wonder why they bothered with that subplot? Was it just to kill time?
00:39 Becker might have the hots for Perky Girl… and why not?
00:43 …and it’s all over. 43 minutes? That’s short!
All this tweeting and podcasting and suddenly I just don’t have time to review new science fictions shows – or, if I do, I do it on the podcast. That just doesn’t seem right, and one of the staples of my blog has always been reviewing episodes of Primeval. Pity they cancelled it, isn’t it?
Ah, but they didn’t, nearly two years later, Primeval is back. Is it better than before?
For those perhaps not in the loop, Primeval, an ITV science fiction program about temporal anomalies opening corridors between different times and the present, often allowing nasties such as dinosaurs into our own time, ran for 3 successful – if dubiously plotted and scientifically inaccurate – seasons, but, the global economic crisis combined with ITV financial difficulties lead to cost-cutting measures. Primeval, a CGI-heavy series, had to go, but creative financing has brought the show back to our screens. (Well, back to some people’s screens, anyway.)
At the end of the previous series, Danny Quinn, team leader at the Anomaly Research Center (the ARC) was trapped, perhaps forever, in the Pleistocene, having defeated Helen Cutter’s evil plans to destroy mankind. Helen had been killed by a velociraptor that had followed them through the anomaly and Quinn was cut off.
Meanwhile, Abby and Conner had been trapped in the Cretaceous, also with little hope of an anomaly opening on its own.
One year later, with a Spinosaur on their trail, Conner and Abby find Helen Cutter’s anomaly control device and manage to return to the present day, brining a Spinosaur with them. They find themselves face-to-face with the new ARC team and must all work together to stop the Spinosaur.
Typically the analysis section of these reviews is where I rip the piss-poor science and ridiculous temporal-plotting, but this episode is something new… there’s really nothing in it. It’s a straight-forward melodrama with no twists or turns and, once past the notion of the anomalies and creatures traveling through time there’s nothing in that to pick on, either.
There are a couple things to note, first, the ARC has been turned into a “public/private partnership” and new character, Philip, Nobel-prize winning genius and inventor of the room-temperature super-conductor now seems to co-own the ARC, and is clearly in a superior position – if equal on paper – with Ben Miller’s returning character of Lester.
Of the old crew, only Becker survived in the present, and he’s been made second-in-command to a new Irish guy who is so non-descript I have to wait for someone to call him by name before I can remember what it is. (OK, I just looked it up, his name is Matt.)
Matt has a secret, he seems to be collaborating with an elderly gentlemen and, if their remarks are to be believed, they’re working together to save the world, and Matt is searching for someone at the ARC.
My pet theory is that the old man is actually Danny Quinn, returned via anomaly to some point in the past and having lived his entire life waiting for this time. I’ve got nothing to support that; however, in the “summary” at the beginning of the episode, we saw the actors faces of Conner, Abby, even dead characters like Cutter and Helen, but we only ever saw the back of Danny Quinn’s head or a quick shot where his face was obscured. If the character has been written out of the show, why would they hide his face and not the others?
Considering it was such a long time coming, I’ve not got much to say about it.
A couple months ago, I purchased a Garmin 1490T GPS at Costco. Although I’ve wanted a car GPS for some time, but couldn’t justify it just for driving around Phoenix. The pending trip to DisneyLand, smack in the middle of the freeway hell that is the Los Angeles metropolitan area, was ample justification. While I’ve had the unit and have gotten very familiar with its operation, I didn’t want to review it until it had its trial by fire.
I’m pleased to report that the unit came through with flying colors, in fact, it exceeded my expectations at every level. There was only one instance when I took a wrong turn and, to be honest, it was entirely my own fault. I made an assumption that the GPS was wrong and… it turns out I was wrong and it was right. We’ll say no more about that.
The 1490T has a large touchscreen interface, but unlike the iPhone’s glass screen, the 1490T has a soft plastic screen, which isn’t very responsive compared to the iPhone. I found myself having to push extra times on the screen, particularly when entering text. Apart from that, the interface is logical and easy to navigate.
The unit comes equipped with the ability to speak street names, and has several “voices” it can use. I’ve chosen to use the female “British” voice, but there are both male and female voices in American, British and Australian accents. The accents aren’t particularly strong, but it was initially confusing by the British voice’s insistent to call on-ramps and off-ramps “slip roads”. It’s a term I’ve never heard.
The GPS can also use a variety of voices in other languages, as well as ones you create and load yourself; however, these voice give only generic instructions such as “turn right” instead of speaking the street names, as in “turn right on N Beaver Rd.”
In particular, the feature that turned out to be the most helpful was the “free” traffic updates. These updates are supplied by FM radio in major metropolitan areas and are ad-sponsored, and so periodically, ads for Red Lobster pop up (discretely) on the screen. The GPS takes your current route and compares it to the traffic database and arrives at a delay estimate, which is displayed on the screen. The GPS compares your current route, including traffic delays, against other routes to the same destination. If an alternate route is determined to be faster the GPS changes your route to avoid the problem.
I’d tested this a number of times in Phoenix and it was less than impressive. The unit would show me that there was a delay of several minutes, but would not re-route me. You can have it show you where the traffic problems are and even “force” it to avoid the traffic; however, in every instance it would complain it me, telling me this really was the best route and even if I told it to avoid anyway, it didn’t seem to do so.
If you know anything about the route from Phoenix to Los Angeles, you’ll know there aren’t any practical alternatives to Interstate I-10. Once you’ve gotten a certain distance outside of Phoenix (around 400th Ave), I-10 is the only choice for crossing the vast wasteland in any kind of direct route. Other alternatives take you hundreds of miles out of the way.
As we left town on I-10, at around 130th Ave, the traffic delay indicator started to go crazy. FIrst it read 10 minutes delay, then 20, 30, 45 and finally 53 minutes before it announced it was recalculating due to severe traffic. It then routed us along a series of byways as we got progressively farther out into the middle of nowhere and it finally returned us to I-10 at 339th Ave, at which point we could see there was a major construction project and that traffic was backed up in both directions as far as the eye could see.
There was a second couple traveling in a different car about an hour behind us. They chose not to heed my warning and spent two hours stuck in the jam. For this event alone, the Garmin 1490T GPS has won a permanent place in my car on road trips.
I recommend this GPS.
In this galaxy, there’s a mathematical probability of three million Earth-type planets. And in all of the universe, three million million galaxies like this. And in all of that and perhaps more, only one of each of us. Don’t destroy the one named Kirk.
– Dr. Leonard “Bones” McCoy
Ol’ Doc McCoy may or may not have gotten his numbers wrong, but what he said ranks upon one of the most important thoughts ever spoken.
I was reminded of that quote earlier because I was doing some work on Fusion Patrol. I’ve been preparing a video with an interview with Ben and me and, because it was Fusion Patrol related, I tossed the most recent Fusion Patrol opening titles that I had onto the beginning of it.
What became immediately obvious was that the old, vintage credits, rendered in Adobe After Effects, were of a grossly lower video resolution than the footage being produced even by our iPhones, and so I set upon a project to develop an updated version at HD resolutions.
My first thought was to simply recreate the originals based on a new screen resolution, but I remembered that the old credits had been designed specifically for online videos – back in the day when bandwidth was slow and video codecs were considerably more inefficient. I had intentionally made the old credits simple to reduce artifacting and bandwidth usage.
I decided I would return to the constant theme that appeared in all the “TV” credits for Fusion Patrol: astronomical pictures from NASA.
I chose to use the single most incredible photographic image ever captured by mankind – the Hubble Ultra Deep Field [HUDF] image. Have you seen it?
The Hubble telescope looked at a tiny patch of sky. Image holding a piece of paper, 1mm square at your arm’s length. That’s how small of a piece of the sky the image is of, and it was chosen because there was nothing there. It’s a picture of the darkness that lies beyond our galaxy… and what did they find?
Look at this picture for a while and marvel and the most amazing thing you’re ever likely to see. Click on it to see it much bigger. I can stare at this picture for hours and marvel at it.
On a very dark night, with the unaided eye, they say you can only see about 2,000 stars; 8,000 if you could every star visible from Earth (which you can’t because the Earth is in the way of some of them) but that’s not true when you get above the Earth’s atmosphere. That’s why we have the Hubble space telescope.
While you’re standing outside, if you stuck a little 1mm square of paper on thumbnail and then stretched out your arm in front of you, you’d be looking at approximately the amount of the sky being pictured in this photo – and it was chosen by the Hubble scientists because it is an empty patch of sky.
Look at that picture again. Virtually everything you see is a galaxy. 10,000 of them! You are staring through a tiny hole in the light pollution of the stars of the Milky Way galaxy into the abyss of the universe beyond. The farthest away are approximately 13 billion light years away.
This is the third time Hubble (and the most detailed) time Hubble has conducted this experiment in different locations, and each time is the same. The even distribution of matter throughout the universe is part of our understanding of the Big Bang, hard through it is to conceptualize unless you grasp that space/time itself is expanding rather than just the matter within.
Our galaxy has an estimated 200-400 billion stars, and you’re looking at 10,000 more galaxies. The estimate, based on these pictures, is that there must be between 100-200 billion galaxies.
In the face of it, we are unimaginably insignificant.
…and yet “…in all of that, and perhaps more, only one of each of us.” We are also incredibly unique.
“Don’t destroy the one named [insert your name here.]”
Recently in conversation, the topic of using the Flip HD and the Kodak Zi8 mini-camcorders came up, and specifically, how well do they work with Apple products, like iMovie. As it happens, I own both the Flip and the Kodak camera, so I put down a few thoughts on them. For anyone who might find this comparison helpful, here then in a slightly edited and revised version of those thoughts.
I’ll start by saying that, as a camera, I prefer the Zi8 in virtually every way to the Flip HD with the exception of the shape of the bottom of its case, which is, I admit, a rather trivial – but valid – complaint.
As far as I can see, picture quality, macro ability, picture format options (30 or 60 fps, for example), SDHC card compatibility, spare battery capable, low-light ability… in every way, the Zi8 surpasses the Flip. It’s my “go to” HD camera – although I use my iPhone 4 often because it is always with me; however, as a camera, the iPhone 4 is still pretty limited.
My complaint about the “bottom” of the Zi8 is simply this: It’s rounded. Both have tripod sockets, but with the Flip, the flat bottom means you can, in a pinch, stand the camera on a table. The Zi8’s round bottom makes that virtually impossible, making a tripod mount absolutely necessary.
So, as a camera, the Zi8 is my preference, but if the question is: Which camera works best with a Mac (or, perhaps I should say, “Apple products” then I’d have to say that the Flip is somewhat more compatible.
First, let’s look how it works with the iPad.
I’m starting with the iPad because it is probably the most inflexible environment to use the camera with and supports a narrow range of formats as opposed to the Mac.
If you want to use a camera of any kind with the iPad, you must have the iPad Camera Connection Kit, which is a pair of dongles for the iPad. One is a USB dongle, which allows you to connect a standard USB cable to the iPad and then connect that to a camera, just as you might connect your camera to your computer. The other is an SD card reader, for plugging SD cards directly into your iPad. (These dongles can only be used to get stuff onto your iPad, not back off of it.)
Both the Flip and the Zi8 have built-in USB connectors so that they may be plugged into a computer without having to carry a cable. This is a great feature, but a little awkward depending on what other USB devices you have and the configuration of your computer. The Zi8’s is flexible and allows slightly greater freedom in connecting the camera to a computer. The Flip’s is fixed and I always have to disconnect all other USB devices from my MacBook Pro before I connect it. You could, of course, use an extension cable, but that defeats the purpose of having the connector built-in.
Using the camera connection kit USB Connector the Flip connects and the videos can be imported directly into the iPad. Under the same circumstances, the Zi8 causes the iPad to complain that it needs “too much current” and it will not recognize the device. Score one point for the Flip.
Using the camera connection kit SD Card Connector the Flip cannot connect because it doesn’t use SD cards. The Zi8’s cards are easily read and imported. Score one for the Zi8.
I’m going to make a note here that under each camera’s appropriate connection method, you can see thumbnails of the videos. That’s good because you sometimes don’t want to import every picture or video and you need to see a thumbnail to decide which ones to import.
However, once the videos have been imported into the iPad… you can no longer see the Zi8’s thumbnails… you get a generic icon that says “movie”. The Flip ones have thumbnails and can be watched on the iPad. You cannot see a thumbnail or play the Zi8 video on the iPad. That’s 2 points (thumbnail and playable video) for the Flip and non for the Zi8.
So, if you’re using the Flip with the iPad exclusively, I’d clearly recommend the Flip as the superior camera in terms of usability with the computer equipment. This is especially likely to be important if Apple ever releases iMovie for the iPad. Flip videos may be immediately editable. Zi8 videos almost certainly will not.
The Mac and iMovie
Let’s ignore everything I said about the iPad now and concentrate solely on the Mac. In this instances, I am referring to the iLife ’11 series of software. I was using them on older versions, but I’ll confine my remarks solely to the current version.
If you plug either camera in, iPhoto sees them as cameras and will import and play the videos. No problem and this is how I use both cameras, importing the videos directly into iPhoto ands then using them in iMovie from within iPhoto. They both work fine.
The Flip comes with some nasty video management software which is, at least, fully Mac compatible. I don’t like this software, but it does work. It is not necessary and can be ignored. On the other hand, this software also does the firmware updates to the Flip, so ignore it at your peril. There have been several updates since I bought the Flip. I do like the fact that the Flip has a planned mechanism for updating their firmware.
The Zi8 has none of that, and, as far as I can tell, no firmware updates since I bought it, nor does there seem to be a user-friendly way to do the updates when they do happen.
However, iMovie also has the capability to import directly from the camera, selecting only the clips you need, if you prefer to work that way. iMovie recognizes the Flip as a camera, it does not recognize the Zi8 as a camera. You have to get your Zi8 videos in from iPhoto or direct file import. Score one for Flip.
Otherwise, all things are about equal.
So… if I and my iPad were on the road without computer, and I need to view my videos, the Flip would be the better way to go.
On the Mac, since I use iPhoto to organize my videos anyway, this isn’t an issue and I use the same workflow for both cameras, therefore I prefer the better and more flexible Zi8 as a camera.
There’s a scene in the movie Nation Lampoon’s Vacation that I never saw coming. After fighting their way across the United States, through horrible tragedies, dead grandmothers & dogs, the Griswold family station wagon barrels into the completely empty parking lot of Wally World – a thinly disguised DisneyLand – only to discover the park was closed for maintenance.
At that moment, I sat transfixed. Someone else had been there, too. Someone else had felt the crushing defeat just as I had when I was nine years old in 1974. Unlike the Griswolds, my father and I barreled into the massive parking lot, not in a station wagon, but a vintage Porsche 356B, but just like them, the lot (which is now Disney’s California Adventure) was eerily empty. Back in those days, DisneyLand was closed one day a week, and no doubt many a well-meaning father delivered their excited children unto the doorstep of disappointment.
That has, perhaps, colored forever my perception of DisneyLand.
We went back in 1977, and, while I remember having fun, it wasn’t so much so that I’ve had any reason to go back until 2010.
And so now we’re here with our children and I’m having fun. It’s hard not to have when so many people around you, and especially your own children, are having a blast. Fun is infectious.
The analytical part of me is dissecting each ride, marveling that what was cutting edge 1955 technology is still very much in evidence and musing as to why the rides are supposed to be fun, but I must acknowledge that they are fun.
I am, perhaps, too jaded (or cynical, as some have said) to completely switch off Mr. Analytical and enjoy myself unreservedly as a kid might, but I can nonetheless enjoy it in my own way, and I can enjoy, and even empathize, seeing that unreservedly joy in my kids’ eyes, laughs and smiles.
It’s a long overdue update to my previous blog post about the tribulations of getting the audio right on the Fusion Patrol Podcast.
As last you may recall, I was testing Wiretap Anywhere from Ambrosia Software. Initial tests went very well and I subsequently purchased the software.
We’ve done several podcasts since then under a variety of conditions: our standard two-person editions and a couple three-person versions, once at three remote locations and another with two people being “in the studio” at my house and one at a remote location.
The results, to my ears, are outstanding. The quality of the audio (if not the actual content) is, I feel, on par or ahead of with the vast majority of amateur podcasts out there. We still have an issue in that Skype merges multiple remote sources into one, and I don’t know any way around that; however, Skype also seems to equalize them well enough that it isn’t too much of a problem.
In putting together our two-in-the-studio episode we did get some cross-over between the mics, which resulted in some echo problems, most of which I was able to remove in post-production.
Now I think it is time to move on to the next goal: increasing our audience size.
I’m not going to give numbers, but I’m frankly amazed at how many people do actually listen. It’s far more than could be accounted for than by “just my friends” but, at the same time, you couldn’t keep a radio program on the air with an audience of this size either.