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  • Doctor Who – The Web Planet – Review

    The Web Planet
    by Bill Strutton
    Story 13, 1965

    Starring William Hartnell as The Doctor
    William Russell as Ian
    Jacqueline Hill as Barbara
    Maureen O’Brien as Vickie

    If Russell T. Davies dropped the script for the Web Planet down at the production table to be produced for the new series, I have no doubt that the effects people would quote him a figure so high as to make filming impossible on their budget.

    And yet, in 1965 the Who production team managed to pull it off – mostly.

    Plot
    The TARDIS is pulled into a forced landing on the planet Vortis. Once outside, they are pulled into the various facets of a conflict between the Menoptera – rightful residents of the planet – and the Animus – a parasitic creature sucking the life from Vortis. The Animus has mental control over the Zarbi, a race of cattle-like animals that used to be harmless, peaceful creatures and now the Animus uses them to control the slave labor camps and keep order.

    Sounds like a pretty typical Who story, right? Did I mention that the Menoptera are butterflies and the Zarbi are man-sized ants? In addition, the Zarbi have larvae gun creatures and the Menoptera have the Operera, grub-like descendants of their own people forced underground. The Animus is, or course, a spider, hence the name “Web Planet.”

    Analysis
    The Web Planet was really something of a grand scale for Doctor Who. The planet Vortis is a bizarre, low-altmosphere world of mica monoliths, acid pools and silica sands. Entirely studio-bound, they made an interesting attempt, even using vaseline smeared in front of the lens for produce a blurry effect for the “exterior” scenes.

    The Menoptera costumes are beautifully detailed and complete with wings and the ability to fly. Unfortunately, there’s just no denying that they look like someone dressed up in an elaborate Halloween costume. Rather than looking like an attempt at really being a butterfly, the look like a person trying to convey the appearance of a butterfly.

    The Zarbi, on the other hand, look nothing so much as like a one-person pantomime horse. I can almost imagine John Cleese’s voice-over saying, “Und here ve see the Pantomime Horse locked in a life and death struggle against a Pantomime Ant,” while the two run around in circle attempting to Benny Hill kick each other’s butts.

    The story suffers a bit from six-episodeitis, in which the writers desperately try to fill out an extra episode or two. The initial landing, mysterious events in the TARDIS and subsequent exploration of the planet in episode 1 are largely superfluous to the overall story, which really doesn’t get going until episode 2.

    As mentioned in a previous post, I’ve begun to think that the later classic Who stories were undermined by multiple plot lines. It was rightly pointed out to me that the earliest Who episodes always had multiple companions and multiple plots. Web Planet is a perfect example of this. There are three largely independent stories going on, one with the Doctor and Vickie in the Animus’ lair, another with Barbara, captured by the Zarbi and sent to work and a third with Ian helping the Menoptera advanced invasion force scouts.

    Looked at clinically, only the Doctor’s story advances the plot much. Barbara and Ian are mostly wasting time, as they too work their way towards the conclusion of the story. Here in Web Planet, this works much better than in the later Who stories, and I think it’s primarily because the story is six parts long. The leisurely pace allows this to be viewed more as a serial rather than a tight, cohesive narrative. Many (if not most) of the pre-Pertwee, multi-companion stories were longer than 4 parts.

    Another thing became obvious to me. Like Inferno, which I recently reviewed, these older episodes must not be watched in one sitting!

    They were never meant to be watched all at once (and it was a crime when most of these shows were edited into “movie form” for airing in the US), and the format properly reflects that. Things that might have happened 3 or 4 weeks earlier need to be reinforced in the story. Viewed all at once, these scenes become repetitive and annoying.

    Web Planet is considered a Who classic, and in many ways it is. It was by far the most ambitious story to date and it is entertaining. My main complaint is the scene where the Menoptera try to taunt a Zarbi. They use their arms and wings somewhat like a toreador’s cape while shouting “ZAAAAARRRRRBBBIIIIIII!” is a high pitched, shrill voice. It reduced everyone in my household into fits of laughter.

    DVD Extras
    In addition to the usual running commentaries, this DVD also features a “making of” documentary, and audio reading of “The Lair of the Zarbi Supremo” as well as others.

    Quality of the transfer is quite good.

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  • The land guaranteed to appreciate… buy now, while supplies last!

    Harper’s Magazine => A Place Under the Sun

    From letters written to President Bush by residents of the Sauerland region of Germany in response to his January 14, 2004, announcement of United States plans to build a deep-space launch pad on the moon. The letter writers are among more than 1,200 Germans who purchased moon lots from U.S. entrepreneur Dennis Hope, who claims legal ownership of the moon under a loophole in the 1967 United Nations Outer Space Treaty.

    Remember when we used to laugh about people buying “swampland in Florida?”

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  • Music is for thinkers… unless you like Rap.

    Science Magazine => Classical’s Class and Rap’s Bad Rap

    Ever wondered whether the classical music aficionado next door has had a bit more schooling than the guy blasting rap from his car? New research suggests you may be on to something. A lot of the stereotypes concerning musical taste and socioeconomic status appear to be true.

    It’s always self-affirming when stereotypes that show oneself in a positive light are published isn’t it?

    Still, I’m a bit worried about those opera people and their stinky hair. Luckily, I draw the line at opera.

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  • Second Service

    I gotta say, I’m kind of jazzed today.

    I’m under considerable pressure at work right now. We’ve had a long-running and usually troublesome project to implement a new online service. (Really, our first online service.)

    For our side of it, I’ve had to work it from nothing, with basically nothing with no actual training. So, from my side I’ve had to teach myself about building and configuring a server to serve web services, learn to generate and deploy them. (With a little detour into re-writing some of the org.apache.axis classes to get them to behave properly.)

    It’s only been in the last couple weeks I’ve been able to get to the actual programming in Java. Things are finally beginning to progress and I deployed the second of the five needed services today and it had no logic errors on the first pass!

    (OK, that’s not to say I didn’t improperly implement it so I spent 4 hours this morning trying to get it to work, but the logic was solid.)

    Yippeee! Who said you can’t teach an old programmer new tricks?

    I’m seriously looking forward to our vacation in 3 weeks time to San Diego.

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  • Davies too cheap to let the Doctor fly and be free

    BBC News => Cost ‘keeps Doctor Who on earth’

    Russell T. Davies had this to say recently,

    “People will say, ‘Why doesn’t he visit alien planets more often?’” he said. “But that’s because they are expensive. They’re hugely expensive.”

    Davies also told Doctor Who magazine that these episodes gained the lowest viewing figures of the series.

    “The programmes that do show alien planets are not prime-time programmes,” he said.

    “Star Trek and Stargate are subscription-based programmes for a dedicated audience.”

    OK, that’s just nonsense.

    OK, the part about it being expensive isn’t. The stuff about alien planets being “not prime-time” is just silly. Just write better alien planet stories.

    It’s interesting to note that on the Inferno DVD bonus features there’s a documentary where Terrance Dicks, story editor during that time, talks about the problems with being stuck on Earth. The bottom line is, you only have two plots: Alien invasion and mad scientist. That should play great from Torchwood, though.

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  • The Return of the Master

    BBC => Return of the Master

    The first Doctor Who DVD release of 2007 will be the The Return of the Master three-disc boxset.

    It will comprise The Keeper of Traken, Logopolis and Castrovalva – adventures that saw both the return of the Doctor’s arch-enemy and the transition from Tom Baker’s Doctor to Peter Davison’s.

    Prepare for not one but two new companions, killer statues, the slow destruction of the Universe, cunning disguises, big beards, recursive occlusion and stick-on celery. What a combination!

    In one of those amusing coincidences, one of the extras on this box set is:

    The Crowded TARDIS (dur. 11′ 25″) – by the end of Tom Baker’s tenure, the TARDIS crew had grown from the usual one companion to three. This featurette examines the reasons behind this change of direction. Featuring actors Tom Baker, Peter Davison and Sarah Sutton, director John Black and script editor Christopher H. Bidmead. Narrated by George Williams.

    Coincidence because I was just blogging about the fact that poor ol’ Davison got stuck with a TARDIS over-full of companions during his term. It will be interesting to see what they have to say about it.

    On a side note, I’m glad to see Logopolis and Castrovalva released together. I’ve always believed they should have released all the regeneration “bookends” at the same time. Sure, the Twin Dilemma stinks, but Caves of Androzani isn’t complete without it.

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  • Long before blogs – a postscript

    14-11

    Well, I posted the journal entries for my 10 day 1998 trip to Taiwan, and, not too surprisingly, they now reside at the very beginning of my blog database, and can only be seen by looking back at the archive for May 1998.

    As far as I can tell, they don’t even show up in the RSS feeds.

    In a way, it was like a re-release of a movie. I got to correct a few spelling and grammatical errors. I went back to the source photo negatives, scanned them and touched them up in photoshop.

    On certain entries, I made some new commentary. There were certainly things I didn’t know and just plain got wrong. While I did not use this opportunity to re-write history, I did make some comments about how my perceptions have changed in the last 8 years.

    Update:I guess the least I could do is provide a link to the first installment. …and that link is here.

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  • Long Before Blogs…

    Long before blogging software existing, people had things called diaries or journals. Back in 1998, I began keeping a journal of my overseas trips.

    My my sincere apologies to my regular readers, I am going to be posting those old entries into this blog, appropriately backdated, and with some current annotations. My goal in this is to simply consolidate some of my earlier writing into one place for ease of locating, searching and backups.

    I’m not sure exactly what this will do to RSS readers, etc.

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  • Trek Soundtracks

    Speaking of Star Trek soundtracks…

    While I think all the new Star Trek series failed miserably on their soundtracks (dull, uninteresting and completely understated) the original series soundtrack was really first class.

    While looking to see if the re-mastered Trek series soundtracks were available, I discovered that 2 of my favorite CDs are still available through Amazon. (One is actually in stock, the other can be ordered through their associates program.) These were two re-recordings by Fred Steiner and the Royal Philharmonic in 1990 and feature music originally composed for the following episodes:

    • V1 – Charlie X
    • V1 – The Corbomite Maneuver
    • V1 – Mudd’s Women
    • V1 – The Doomsday Machine
    • V2 – Mirror, Mirror
    • V2 – By Any Other Name
    • V2 – The Trouble with Tribbles
    • V2 – The Empath

    Relatively few episodes of Trek had original music, in most cases it was re-used from earlier episodes. Many of the prominent musical themes from the entire series had their origins in these scores.

    They’re definitely “old school”, though. No contemporary 60’s music, these are more like scores from pre-60’s movies.



    “Star Trek: Newly Recorded Music From Selected Episodes Of The Paramount TV Series (Charlie X, The Carbomite Maneuver, Mudd’s Women, The Doomsday Machine)” (Fred Steiner)

    Unfortunately, I cannot put an Amazon link to the second one since they don’t have it in stock, but you can see it online and purchase it though the associate program. The full title is: Star Trek, Volume Two: Newly Recorded Music From Selected Episodes Of The Paramount TV Series (Mirror Mirror, By Any Other Name, The Trouble With Tribbles, The Empath) or search for Fred Steiner.

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  • New Trek

    Just watched the “first” episode of the newly digitally-enhanced Star Trek episodes.

    I’m impressed. I watched it on the HD feed and the picture quality was vibrant. (So vibrant that it’s no wonder “red shirts” were always getting killed – they positively glowed with color.)

    The new space shots were clean and faithful to the original. The digital ship still had just a slight touch of a cartoonish 2-dimensional feel.

    My main complaint was that, despite being listed as “Balance of Terror”, a cracking episode featuring a full hour of tense space warfare, instead we got “Miri” a mundane and mostly planet-bound episode.

    One thing I noticed (and now I have to pull out the DVDs to check) I think they digitally improved the disease fading away from McCoy’s cheek. I think I could detect that the transition was isolated to just his cheek and not the whole frame. It made it look a lot better than it used to where, no matter how hard they try, the actor moves a little during the time they remove the makeup.

    Darn, now I have to stay at home at 9:00PM on Saturdays and watch Star Trek all over again.

    I am NOT buying the new DVDs, I am NOT buying the new DVDs, I am NOT buying the new DVDs, I am NOT buying the new DVDs, I am NOT buying the new DVDs!

    But I sure as heck will buy the soundtrack of the re-recorded music if they make that available. It sounded great.

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